"Finally,
the analysis of the crisis of the action form in cinema led Deleuze to
frame more broadly the problem of the broken link between humans and the
world. The revolutionary dreams of early American and European cinema
did not fulfill their promises. But in its great moments, cinema never
stopped filming the faith in new modes of existence still to be
discovered. Through cinema, a face of modernity emerges: the face not of
the death of God but of the loss of the world. What we lack is an
immanent belief in this world: not a belief in its existence, which no
one doubts, but in the possibility of creating new forms of life in it."
(Paola Marrati: Gilles Deleuze: cinema and philosophy [2008], s.5.)
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